Adobe Premiere Pro
Adobe Live: Build Your Video Skills in Five Daily Challenges, Aug. 17-21
Editing video is a creative task, observes Adobe Senior Product Marketing Manager Eric Philpott. Yet most tutorials skew toward the practical functions of the software, with less emphasis on the art of storytelling itself. Read on to learn how you can raise your creative editing game in five daily challenges hosted online at Adobe Live, happening the week of August 17-21. Hosted by Adobe's Jason Levine, you'll download free assets to help learn the specifics of multicam editing, color grading, repurposing your work for social sharing, and much more, followed by sharing your results online and talking about the process with other editors.
Adobe After Effects
How To Put Yourself In Any Movie Part 3: Keying Greenscreen
Following the huge response to parts one and two of independent filmmaker Cody Pyper's Adobe Photoshop and After Effects tutorial series, "Put Yourself In Any Movie!", here is the truly EPIC series finale, which is the most complete single keying tutorial we've ever seen. It's all here, including Red Giant's Primatte Keyer, Premiere Pro's Lumetri Color Panel, AE's Keylight filter, everything you need to know about curves and levels, realistic blurs, shadows and VFX, and more! Did we mention that this is epic? EPIC!
Adobe Premiere Pro
How to Choose the Right System for Adobe Premiere Pro and After Effects
"What’s the best system for Premiere Pro and After Effects?" This is a question that any editor or content creator has to go through every few years as technology changes. Dave Helmly is the Head of Strategic Development for Professional Video - Broadcast at Adobe, and gets asked this question almost daily by broadcast IT departments, filmmakers, and YouTubers. Before laying out the answers about the right system for you, Dave lays out the additional questions that you need to ask first.
Makin A Comet
In this tutorial, Graham Quince uses Video Copilot Orb, CC Particle World, Turbulent Displace, Vector Blur and CC Radial Blur to create a 3D comet.
Hyper RPG Powers Live Streaming Workflows with Blackmagic
Hyper RPG goes live five days a week during the afternoons, and its YouTube and Twitch channels attract more than 44 million unique viewers during these live streams, incorporating Blackmagic Design Pocket Cinema Camera 4K, ATEM Television Studio Pro 4K, ATEM Television Studio HD and more
Core Post delivers BRASSIC in HDR with DaVinci Resolve
Blackmagic Design announced that UK post facility, Core Post, has expanded its post production capabilities to offer HDR delivery for broadcast and production clients through its existing DaVinci Resolve Studio workflow. The first project to be realized through the new pipeline is Sky One’s comedy drama, Brassic, created by Danny Brocklehurst and This is England’s Joe Gilgun.
Live Events & Streaming
Pharos by Design Studio 2n Sets Immersive Experiences
Pharos took place outside Auckland, New Zealand in the world’s largest inflatable dome; hour-long set of stunning visuals created with NVIDIA® Quadro® GPUs powering Epic Games’ Unreal Engine using their new nDisplay cluster rendering technology
People / Interview
TV Tokyo’s Watanuki-san-chino uses Blackmagic Design
TV Tokyo’s “Watanuki-san-chino,” was created using DaVinci Resolve Studio, HyperDeck Studio 12G and a number of additional Blackmagic Design products. The show is the first sitcom series where Virtual YouTubers (VTubers) were cast as the main characters and were included in the show using Blackmagic Design products for recording and post production.
People / Interview